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, by Emily Mitchell Emily Mitchell
Ebook , by Emily Mitchell Emily Mitchell
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Product details
File Size: 793 KB
Print Length: 401 pages
Publisher: W. W. Norton & Company; Reprint edition (July 17, 2008)
Publication Date: October 20, 2014
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00OILAD36
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Amazon Best Sellers Rank:
#486,550 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I have never submitted a book review in all my years of reading (and there have been many) but this book told an emotional truth that I could not ignore. The years before and during the First World War are examined in an almost dreamy manner, as if the speakers are recalling their memories of the past but this book is by no means without relevance to the present. Principally, it offers an insight into the workings of the creative mind where the urge to express oneself is paramount. It explores what happens when that urge is stifled, when the expansiveness of self expression is lost and one becomes merely useful - a facilitator to the self-expression of a partner with whom one has once been desperately in love. Besides the glorious selfishness of the creative mind, the author's exploration of the lot of women at a time when they were straining to escape the constraints of the past and yet were held back by their own natures is unparalleled in my view. Add to all this an inventive structure which allows central truths to be questioned before they are confirmed and you have a novel that is beyond impressive.
Historical fiction is fascinating to me. It takes great skill to deeply research a historic individual and time period and then build a story that weaves together known fact with an imagined story. I was extremely impressed by this book and the fascinating figures of Edward Steichen and his family and friends. I have read this book several times & shared it with several friends -- the author's writing style & voice are so gorgeous that I think she could write about anything & I would enjoy it.
Internationally well known American photographer Edward Steichen novel takes place during the onset of the 1st World War in France. This is one of my favorite periods of time. A great feel for what it was like to be living in that time. Loved it!
I am so enjoying this book and hope I don't get to the end too soon. As a busy innkeeper, I don't have much time for reading, but I'm so glad I bought this book and will certainly recommend it to friends. I'm in awe of Emily's knowledge of war-time aerial photography, and war in general.
I did not order this in Kindle because I am well aware that any illustrations in Kindle are almost useless. How could I want to read a book about Edward Steichen without his photographs. It would be preferable if Amazon did not offer books in Kindle which depend upon illustrations for much of their meaning.
Emily Mitchell creates a wide angle photograph of Edward Steichen and his circle of family/friends circa WW1, with considerable attention to detail."At St. Omer, he'd learned that when a road was used, it wore away. The boots of marching infantry, the wheels of the field guns and supply wagons, the horses' hooves - all these stripped away the dry surface, revealing rock and soil beneath. Compare two prints of the front taken on different days. If the road had turned in the second from pale gray to near black, an army had moved along it." p.44And another:"But when he told her about it, Clara stopped playing and looked at him with an expression of disbelief. Then she put her head down on the keys of the piano, so that a chromatic mass of notes rose out of the instrument, and engulfed her, filling the room with dissonance." p. 195A compelling meditation on the arc of one artist's life...
Thanks to Emily Mitchell for giving us one of those extraordinary novels that remain in the mind, evoking strong feelings and provoking new thoughts long after one turns the last page. Mitchell's subtle, unmannered, and decisive prose is a non-stop pleasure to read. Her story steadily gains momentum until, at the end, one feels the wind whistling past one's ears and hangs on for dear life. Most impressive, perhaps, is the refusal of this novel to play to type. TLSW is not a love story set against the "background" of war but a meditation on love and war that involves us in the interplay of spontaneous sentiments and a powerful (indeed, hyperactive) social environment. Similarly, despite the author's obvious sympathy for Clara Steichen's plight in a male-dominated culture, the book escapes categorization as either a feminist or implicitly gendered novel. Mitchell's empathetic imagination permits us to enter so deeply into the inner lives of both Edward and Clara that "taking sides" between them finally seeems reductionist and irrelevant. Glamorous, creative, confused, yearning for personal meaning and social peace, they were who they were, and Emily Mitchell has made them live again for us.
Beautifully written, authentic, atmospheric historical fiction with immortal themes of love, art, and war.
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